Showing posts with label sketches. Show all posts
Showing posts with label sketches. Show all posts

Dance a Dream

Monday, February 14, 2011

7 Chiming In
Today is a little less Silversteinish, but still a good day for little poems and simple sketches. (The slightly monkey-faced munchkin is actually me from when I was three.)

So, in honor of those who need no fancy toys or video games to "find" something to entertain themselves:

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Dance a Dream

Today I want to dance a dream

Open a window and ride on the rain

To catch a butterfly and fly to Saturn

And waltz on the rings in a star dust gown.


Today I want to munch a dream

Dive off my spoon and splash in my bowl

To brave sugary currents on chocolaty rings

And swim with marshmallow bears.


Today I want to gaze a dream

Slide down a rainbow and run through the sun

To fall with the snow in a balloon made of ice

And bounce on thundering clouds.


Today I want to dare a dream

Go on adventures in far away places

To spin on my globe and meet friends where it stops

And see things that I’ve never seen.


Today I want to play a dream

Visit a dream-house and drive my doll’s car

To swim with my fish in his big shiny bowl

And grow in my garden of flowers


Today I want to draw a dream

Climb on my pencil and gallop away

To paint all my fingers and all of my toes

And splash in watercolor puddles.


Tonight I want to dream a dream

Fly among stars with a cape made of wind

To wander and wonder in a colorful place

And play with my friends until dawn


Copyright -- Josin L. McQuein -- 2011


Meet My Baby

Friday, February 11, 2011

6 Chiming In
This is the idea that started it all. "All" in this case being my serious desire to get published. I'd like to introduce you to my baby. Meet: A Griffin Called Sphynx.


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When I talk about the near miss from my early query days, and the emails I sent out to editors for the big publishers, which resulted in requests from 2 of the "Big Six", Sphynx is who and what I'm referring to. He's the star of a picture book series I wrote when I was a teenager - one that was sadly not ready to be queried when I did it.

But, I'm not willing to give up on the little guy yet. He's tenacious, you see, and he'd never let me live it down. (He can't help it - before he was a purple-winged griffin, he was my seal point Manx, Katana :-P ) His story is no longer in rhyme, and at some point, hopefully, Sphynx will get his moment in the spotlight. (It's been 2-3 years since baby boy was on the query-go-round.)

I thought I'd show you some of the process I went through when creating this little guy and the world in which he lives.

Sphynx lives in a place called Maripu. I don't really remember where that came from other than it sounded like caribou and kids seem to find that a giggle-worthy word. There are several inhabitants of this place, but for Sphynx, the important ones are:

The House Turtle that totes his home around on its shell (and often gets lost so said house is never easy to find)

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And "The Baker", which is the human Sphynx lives with.

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The Baker, who is married, is a befuddled old man who can't tell the difference between a cook book and a magic book, so he consequently ends up as more of an incompetent wizard than a cake maker. He's as likely to have his dinner attack when he tries to conjure up some calamari as he is to get it onto plates.

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(This picture is extremely rough - in the literal. It's concept art, and you can see the page crinkles at the top and the torn-off bottom, right corner.)


As you can see, Sphynx is a bit of a dreamer.

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This is another concept piece where I was toying with those braided columns on either side as a unifying look for the pages. (Hey, I was a teenager. I thought I was supposed to draw the pictures, okay? I had no Internet access to tell me different back then.)

He's adventurous, and likes to explore the outside world... so long as the door's unlocked and he can get back inside.

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And he's absolutely fearless in the face of imaginary enemies and bubble-monsters who attack from the cooking pot.

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Anyway, the point of this long, silly, and somewhat self-indulgent post is to let others see my baby in the light of day. Hopefully, he'll get a life in print, but if not, my favorite little guy will at least have been seen by all of you.

I'm curious as to what you non-editor types think of Sphynx, and his associated players.

Copyright -- Josin L. McQuein -- 2011

There is Method to my Madness

Saturday, January 8, 2011

5 Chiming In
Do not laugh at my drawing skills, I have a reason for subjecting you to them.

Meet Dinah, my avenging angel from Premeditated. (no, not a literal angel)

I quick sketched this over two years ago. Obviously, it's not finished or the cleanest image, and it's not exactly something you'd see hanging in the Met, but this is how I work a lot of the time. I'm a visual person, even if I have to create those visuals myself.

Sometimes, I do it with clip art, and make covers, like the one I did for Arclight a while back. And sometimes, I drag out my trusty Mirado #2 Black Warrior and a piece of paper. If I have a visual, it's easier for me to see the person in a story as real.

When I drew the picture at the top of this post, I didn't know who she was, only that she had a story to tell. I didn't even know her name was Dinah. In fact, I thought this was a picture of Johnnie, an oft-jostled foster child from another story. I tried to make her be Johnnie, but she refused to comply.

This is the point where people who don't write on a regular basis start to make strange faces and question my sanity, but if you're a writer, you know what I mean. Our characters are their own kind of real; they have dimension and texture, and they can refuse to do the things we tell them to do. They don't float on white paper (believe it or not, that piece of paper was white when I scanned it in), they inhabit a world of their own.

When Dinah first appeared as a character, and after I'd accepted that she wouldn't let me shoe horn her into the story I thought she fit, I did the usual writer things. I asked her questions.

Who are you?

She said she wouldn't tell me.

I asked her again.

She said she was a whisper in the dark.

I asked her again.

She said she was a secret sworn to keep herself.

Do I mean I literally heard a voice say these things? No. What I mean is that there was more to the character than the obvious, and it took me almost two years to get it out of her.

She's wearing a private school uniform, so I thought she went to private school, but again, she said "not really". Her posture's self-protective, which is where the part about secrets and being in the dark came from. She's obviously hiding something, including herself, in the way she's crouched behind the stairs.

On her hands, she wears fingerless gloves, not a part of your usual prep-school uniform. She's got that little chain around her ankle that had to mean something (it took quite a while to realize that was a bird on the end), and she doesn't have a tie on or bother to button the top buttons of her blouse. She's not a conformist, and knowing that added another dimension. I started to understand what she meant by "not really" being a private school girl.

Other clues came through. The haunted look in her eyes, the lack of a smile on her face, even the way the wind's blowing, like she doesn't feel it. This girl wasn't just hiding, she was numb.

If you read this blog, you know I generally write Paranormal / Fantasy, and it's usually a darker shade. So I thought "Ah ha!" She's a ghost! She's some poor dead girl who's got some unresolved issues. That's why she's sad!

I asked her if she was dead.

She said no, she wasn't, but someone was.

A hint of a name came through - Claire. I thought it was her name. Everything about her was wrapped around the name Claire, so it made sense. The early draft of the story has her named Claire, but I was wrong. I was looking at it from the wrong angle.

Her whole life is wrapped around Claire, but Claire isn't her. Claire's her cousin.

If you read the query I sent to Query Shark, you know I wrote it with the names under my original assumption, but now that I know better, a few things make more sense as I shift them around in the MS.

Dinah, for one (and this was an accidental bit of dovetailing) means Vindication and Judge. That's definitely the most fitting name I could have come up with for this girl. Claire means Bright White and Celestial - also perfect for the idealized way she sees her cousin.

The reason it was so hard to get a lock on who Dinah was, and what was getting me mixed up in the writing, is that she didn't know, either. She'd made herself disappear when things at home got bad, and then she disappeared again when she assumed the identity of a private school girl to avenge her cousin.

She was lost, hiding in the dark, and it was my job to find her.

That's your job, too, if you're a writer. You have to find your characters and coax them out into the light. You have to make them trust you enough to spill their secrets. And you cannot betray that trust by making them do things counter to their nature.

Maybe you draw pictures like I do, maybe you don't, but you should still have a vivid image of who your characters are -- and so should your readers. (See, I told you there was point.)

Lost in Translation

Sunday, January 17, 2010

2 Chiming In


Something odd has happened in a few of the queries I've sent out for a picture book. There's a bit of confusion about one of the particulars of the character's home.

Maybe it's my fault for not starting out with the spotlight on the right character, I don't know, but I didn't expect it to be this difficult to understand.

In the MS, the house is described twice:

"Turtletop house" - which apparently translates to "A house with a turtle shell on top of it for a roof".

And:

"Turtleshell floors" - which apparently translates into "Your MC slaughtered a turtle and mounted his shell on the floor. Parents will hate you."

All I can say is that it's a huge, resounding NO! on both counts.

In another book of the series (Yes, I said series. I don't care if it's taboo, kids like series.) it's a bit more clear when it starts: "In a house on a turtle..." (There's a very simple, and plot-centric reason that the house is on a wandering turtle, but that's not important here.)


I can't convince myself that a kid would have these very grown-up hang-ups. So what is it that happens to most adults when they pass 25 that makes them terrified that every thing could be taken the wrong way?

To make it clearer, I'm going to include a visual aid in my next queries. I think he's a very cute house turtle. :-P

Sketching Ideas

Saturday, January 9, 2010

0 Chiming In


Sometimes an idea takes the form of words - description or dialogue. Sometimes it's a little more abstract. This is an example of the latter. It's the beginnings of an idea for something that started with an image instead of character or plot.

Sure it's not quite perfect, and it's sort of lopsided here and there, but ideas are like that. They come out in various stages of completion and inspire further development of things that never would have been considered without them as a jumping of point.

In this case, it was part of the creation of a genie story. I had the idea for this pretty purple bottle, sketched it out and painted it in Photo Impact. (For full illustrations, I usually use Prisma Colors). Of course, words are necessary to make the story, but they're not always necessary to start it.